Tuesday, November 17, 2015

Chapter 9

Iconoclasm: The major issue in Byzantine history that accounts for the loss of art is iconoclasm. In places of images, the iconoclasts used only symbolic forms, such as the cross, which were already familiar in early Christian art.

Rome-Byzantium-Constantinople
Hagia Sophia: Church destroyed during riots
Squinches: broader than pendentives
mese: the "middle way" main street through Constantinople

Who: 
What: Archangel Michael
When:
Where:
Why:
How: Ivory
Which: Archangel Michael was a winged angel was a winged victory

Who: 
What: Hagia Sophia
When:
Where:
Why:
How:
Which:

Who: 
What: cutaway/layout Hagia Sophia
When:
Where:
Why:
How:
Which: Supported by pendentive construction

Who: 
What: Virgin and child
When:
Where:
Why:
How: apse mosaic
Which:

Who: 
What: Throne of Maximianus
When:
Where:
Why:
How:
Which:

Who: 
What: Bishop Maximianus
When:
Where:
Why:
How: mosaics feature people to be flat or not solid in nature
Which:

Who: 
What: Theodora and attendents
When: Early Byzantine
Where:
Why:
How:
Which:

Who: 
What: Saint Apollinatis
When:
Where: Sant' Apollinare in Classe, Ravenna, Italy
Why:
How:
Which:

Who: 
What: Christ blessing
When:
Where:
Why: ICONOCLASM ^Top
How:
Which: ICONOCLASM ^Top

Who: 
What: Virgin and Child between Saints Theodore and George
When:
Where:
Why:
How:
Which:

Who: 
What: Christ before Pilate
When:
Where:
Why:
How:
Which: from Vienna Genesis

Who: 
What: Katholikon
When:
Where:
Why:
How:
Which:

Who: 
What: Plan of Church of the Theotokos
When:
Where:
Why:
How: dome on squinches to support dome
Which:

Who: 
What: Christ as Pantokrator
When:
Where:
Why:
How:
Which: This refers to his role as the last judge of humankind

Who: 
What: Archangel Michael
When:
Where:
Why:
How: Gold, silver gilt
Which: St. Mark's Cathedral

Who: 
What: Christ as savior of souls
When: late Byzantine
Where:
Why:
How:
Which:

Who: 
What: Annunciation
When:
Where:
Why:
How: Tempera and linen on wood
Which:

Who: 
What: 
When:
Where:
Why:
How:
Which:

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